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Mouseover film still above to compare to original live-action plate Jardin only had to paint someone out of a scene once-when the balloon character tried to help a woman pick up the planner she dropped on the sidewalk. “As we were framing up a shot of the character on the sidewalk, Leon would jump in where the balloon character was going to be and then hop back out, so we could shoot the plate that I was going to use,” he recalls. The rest were gleaned from a general casting call managed by Ptolemy Slocum, a friend with experience casting actors who also played the lead in 'The Problem With Fiber Optics.' Knowing that the main balloon character would be composited into the film during post-production, Jardin had production assistant Leon Bosket stand in as a height reference. Half of the actors were friends or people he used to work with.
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Jardin and his 10-person team spent two days shooting 'Floating' in Los Angeles. “Now, when I’m pitching an idea for a video or a commercial, I feel like I can confidently say that I can do a lot more than I could before,” he says.
#SYNTHEYES 2014 TORRENT HOW TO#
“I think when you study any sort of art form that isn’t film, it will inherently inform all of the decisions you make as a filmmaker.” It also helps that he’s taught himself how to use Adobe After Effects and C4D. “Graphic design absolutely influenced my film work,” he says.
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These days, he still does some graphic and motion design for advertisements and title sequences. Though he always wanted to be a director, Jardin first studied graphic design before going to film school. Saw that film,” says Jardin, who primarily directs music videos and commercials. Soon he was moving to Los Angeles and being represented by, a transmedia global company with offices around the world. That film, about an anxious, sheltered man who buys a memory to boost his confidence, landed Jardin several meetings with studios and agencies in Los Angeles. He made the first, a 20-minute sci-fi romantic comedy called ',' while in film school at Florida State University. From Film School to L.A.įloating is Jardin’s second short film of note. And two and a half years later, after working on it whenever he could in between paying jobs, it was finished. So 'Floating' became “a labor of love,” as Jardin calls it. Though the balloon Jardin was able to make didn’t work the way he needed it to for the film, just being able to make it helped him realize he could execute his idea. That changed when he watched a tutorial on how to make a simple balloon using C4D. “Years ago, I envisioned a simpler version of 'Floating' as a music video, but I didn’t have the technical confidence to do it,” he explains. Join Brian Morse as he reviews essential tools and techniques in SynthEyes, beginning with a quick start guide to help you create accurate 3D solves quickly.īut to understand how to pull off the 3D character animation and visual effects needed for the film, he spent six months learning Maxon's Cinema 4D and Andersson Technologies' SynthEyes camera tracker.
#SYNTHEYES 2014 TORRENT SOFTWARE#
SynthEyes is one of the most popular software packages for 3D tracking, capable of complex camera moves and object tracking. The film’s original score was written and performed by the Welsh band The Joy Formidable, and Jardin co-wrote the script with his friend Matthew Beans, a writer for Adult Swim’s Robot Chicken. “If you keep the characters' gender ambiguous, this could be a love story for any type of couple, or it could be a story of friendship or companionship,” he explains. Though he originally envisioned the story as a balloon-boy-meets-balloon-girl love story, Jardin later came to see the film in more neutral terms. In new short film, 'Floating,' a lonely person made out of balloons longs to connect with someone else in a city bustling with preoccupied strangers. (Studio featured last year.) C4D maker Maxon and writer Meleah Maynard offered StudioDaily a behind-the-scenes look at Jardin's process for compositing the animated figure into live-action environments. Filmmaker Greg Jardin created a short film, 'Floating,' using Cinema 4D and SynthEyes to insert a CG balloon character into real-world situations.